One earth; using 5th century anagama technology and materials of life itself that haven’t changed since the first pottery was made (clay, air, water, fire) here is a visual reminder of where we all live. Every tilt brings a new horizon, made by Shigaraki veteran Kato Takahiko–a RYYG… More
Placed in a prime spot in his kiln, this Yamamoto Toshu(1904-1994) jar is a masterpiece of Bizen firing with his perfectly thrown form; he was known as ‘The Master of the Wheel.’ In perfect condition with a signed box, 26cm.tallx27cm. wide, signed on base.
Nishihata Tadashi (b.1948) is most likely the greatest traditional Tamba ceramic in Japan today—more about him in our archives. Here is a richly fired Nishihata vessel with various tones and textures. It’s 28.3cm.tallx31.5cm.x15.5cm. perfect condition, signed box.
Museum quality, yet hope these end up on someone’s table for use; dating to 1991 and only a few sets made by Mori Togaku. The hidasuki-straw markings are quite radical and better in person than the reflective photos of each. Each is 4cm.tallx26.5-27, stamped on base, perfect condition with a… More
Suzu is one of Japan’s lost stoneware styles that few collectors know about. As the Suzu Ceramic Museum in the Noto Peninsula, Ishikawa prefecture notes, “Suzu ware is a kind of pottery made in Suzu from the latter half of the 12th century to the end of the 15th century. It was… More
Tsuji Seimei (1927-2008) made a lot of work in his lifetime yet surprisingly few tsubo-jars, as a matter of fact at the 2017 major Tsuji retrospective held at the Museum of Modern Art, Tokyo, Crafts Gallery out of 152 displayed pieces there were only two tsubo and one was a lidded one. So here are… More
Green On Reserve/Shigaraki Sold
That’s how a similar Isezaki So(b.1968) jar is described in the major Bizen exhibition that is traveling Japan now, started in Tokyo this February and is now showing at the Miho Museum ending at the Aichi Prefectural Cermaic Art Museum early autumn 2020. This once-in-a-lifetime exhibition… More
Inoue Taishu(b.1941) is a legendary Shodai potter located in Kumamoto prefecture. He studied in Kyoto with Morino Kako, father of Taimei, and then established his own kiln in 1965 before moving to his present location in 1968. His met all the Mingei greats of the day and is, of course, one himself…. More