The current issue of Tohsetsu–the Japan Ceramic Society’s journal–has on the cover a Hamada Shoji work and the main feature of the issue is the relationship of Hamada with Bernard Leach and fellow Mashiko potters. The Hamada photo courtesy of Tohsetsu. Here is a fine Hamada… More
180,000 yen including delivery
No introduction needed for Tsujimura Shiro, a classic rugged vase, notice all the melted feldspar and the one coveted ‘landscape’ of the bursting stone known as ishihaze; the vase holds water just fine. In perfect condition with a signed box, 25cm.tall.
Tsuji Seimei (1927-2008) loved to drink sake and was known as the Yokozuna Sake Drinker of the East; Yokozuna of course referring to the highest ranking in Sumo. Our gallery has handled quite a few Tsuji tokkuri yet few as large and bold as this one, and also with a hidasuki rope straw firing… More
Bizen’s first Living National Treasure Kaneshige Toyo (1896-1967) is one of the most important Bizen potters of all time. Along with other first LNT’s, such as Arakawa Toyozo and Nakazato Muan, Kaneshige researched and revived the ancient Momoyama Period ways of clay preparation, kiln building,… More
Here is a rare Yashichida-Oribe tokkuri pair by Kato Yasukage XIV (1964-2012) who was one of the most celebrated Mino ceramic artists of the day. Yashichi-Oribe is one Oribe style not oft seen, known for having spontaneous brush designs and glaze splashes, here too with motifs of willows and… More
135,000 yen including delivery
Nishihata Tadashi (b.1948) is most likely the greatest traditional Tamba ceramic in Japan today—more about him in our archives. Here is a richly fired Nishihata vessel with various tones and textures. It’s 28.3cm.tallx31.5cm.x15.5cm. perfect condition, signed box.
Museum quality, yet hope these end up on someone’s table for use; dating to 1991 and only a few sets made by Mori Togaku. The hidasuki-straw markings are quite radical and better in person than the reflective photos of each. Each is 4cm.tallx26.5-27, stamped on base, perfect condition with a… More
350,000 yen including Delivery
Suzu is one of Japan’s lost stoneware styles that few collectors know about. As the Suzu Ceramic Museum in the Noto Peninsula, Ishikawa prefecture notes, “Suzu ware is a kind of pottery made in Suzu from the latter half of the 12th century to the end of the 15th century. It was… More
Kimata Kaoru(b.1967) studied in Karatsu and there mastered various ash-glazes and then made them into her own ‘blend’ as clearly seen on this multi-colored-engaging vessel. Kimata moved her studio to Kobe in 1995 and also to the countryside. She exhibits throughout Japan–and her chawan… More