Here is a Shimaoka Tatsuzo(1919-2007) work that caught our attention with its strong form and subtle bamboo sparse lines on a white slip hakeme ‘curtain’ that reminds us of Shinoda Toko’s brush as well. In perfect condition, 27.5cm.tallx19.5cm., stamped on base, stamped on base.
Here are two jars by two important ceramic artists; a seihakuji bluish-white porcelain by Fukami Sueharu(b.1947) and a neriage marbled one by Matsui Koyo(b.1962). Each is very uniform all around in terms of glazing and design, both better in person in terms of color. The Fukami is… More
A museum quality work by the talented Hiroshima based ceramic artist Kimura Yoshiro. Kimura (b.1946) deals almost exclusively with the color blue, perfect for summer as it imparts such a cool aura. First wanting to be a Zen monk he switched to pottery(like Tsujimura Shiro) and fell in love with the… More
A few new works to the gallery starting with a 1930s Kaneshige Toyo tokkuri and a new style by the ever-talented Tanoue Shinya. The Kaneshige tokkuri is 15cm.tall, one of his early stamps on base, signed box by son Kosuke—a rare piece with shibui ‘landscapes.’ Tanoue resides and… More
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One of Japan’s greatest ceramic artists in all of history, Kawai Kanjiro (1890-1966). It’s mind-boggling that he’s not as well known in the West as Hamada. Anyway, here is a classic slip-trail design shinsha-copper red bold chawan in perfect condition, 10.2cm.cm.tallx12.3, box signed… More
Kato Katsuya(b.1947) was born into an ancient potting family in the town in Nishio, not far from one of Japan’s most important potting centers from long ago, Seto in Aichi prefecture. His specialty is yakishime–high fired unglazed stoneware–and since 2005 has been firing an… More
One of Sodeisha’s founders was Suzuki Osamu(1926-2001), one of the most influential and important Japanese ceramic artists of the 20th century; his works are in major private and public collections worldwide. More about him and Sodeisha can be found with a quick web search. This Suzuki… More
In the history of mankind there has never been a larger privately built kiln then Mori Togaku’s 85-meter long, six-meters wide kiln. Just to conceive the idea and then from his 20-meter kiln to the 50-meter kiln and then the large kiln from his Aioi days is truly a Herculean undertaking that… More
It has a slight lean, very coarse beautiful ‘earthy’ clay tones with lots of feldspar and a nice heft to the feel, here’s a circa 2002 bowl by celebrated artist Ogawa Machiko. Her works are in important private and public collections worldwide. In perfect condition,… More
We recently listed a Kakurezaki Ryuichi eared-vase yet neglected to mention that recently he was designated an Intangible Cultural Property for Okayama Prefecture. He truly is a pioneer for creating new forms for Bizen seen here on two large platters. The first shown is 9.5cm.tallx40-42.5cm.across… More
320,000 yen--Shipping Included.